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Round 3, Week 4

by Monday Morning 3AM Music Club

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1.
couldn't call it tragedy they always had a laugh she'd always get the names wrong talking to his staff she told him she was sorry she'd never had more school and he'd squeeze her tight and say goodnight said he loved to kiss a fool and they'd go round, and they'd go round I don't know how they stayed aground she was never one to stand for the lowliness of greed they'd share a beer and laugh at all the HR VIP's back before he got his first promotion and a pin somehow something clicked when he acquired a taste for gin you can't hold back, you can't hold back on that inside track tell me what you wouldn't do to keep your love from harm dancing in the wrong somebody's arms strangest thing, they never fought you wouldn't see them in a funk she'd fly around the room a bit he'd go out, get some drunk but most the time you'd have to guess they were heading down the path wasn't hard to see the days ahead to do the math but you never know, you never know when your tomorrow's long ago don't go crying wolf again don't sound that false alarm dancing in the wrong somebody's arms he'd been gone near half a year don't think he ever knew she went down to County did the thing she had to do don't suppose we'll ever hear a word from them again they've disappeared into the night just like they'd never been what might have been, what might have been such an unoriginal sin and there's a part inside me wonders where you are dancing in the wrong somebody's arms
2.
Angeline By Duncan May Angeline came to me in a dream as a friend But soon she turned into a quite workable sin I was lost, inside her eyes. Tragedy was never so fair / She wore rosemary blooms in her hair So she smelled like thanksgiving / Everyday and never cared. She carried her own weight / Blue flames for a halo Wings on her feet / to stay above the noise As a crow flies / to the heart of an angel A straight shot woman / than a slow walk away, walk, away, walk away with me. The dance seems to never end / the bitter-sweet summer Took it to the limitless / took it to each other In time we feel in love / after years of shadow dancing We put blood in the water / so we would both stick around, stick around, stick around with me Angeline, Angeline, Angeline All that ‘s left is a memory / some wrinkles and some scars A dream born from the ash / A dream alive in the stars She had eyes of deliverance / She wore pain like ecstasy She saw art in ugliness / She gave everyone love, love, love
3.
It's alright, you can go to sleep you know that we'll be fine Say goodnight, we'll be real quiet and promise not to fight. We're ok, good night Check it out, they've gone to bed and turned out all the lights. Time to go, leave the tv on the volume turned down low Sneaking out Tonight And while they were sleeping We took the keys to the car drove around the neighborhood Donuts in the cul de sac So sick from drinking all that wine We didn't think it through when we took all of the street signs left them in the neighbors yard It's alright, it's our turn now you know we'll be just fine Nothings changed, you had yours now we will have the same It's OK either way So why are you sleeping You should wake up now And run into the living room And help us put this fire out Believe me it was a big mistake Pretended to light fireworks and throw them in the fireplace accidently dropped the match I know it makes you crazy you should understand We're young we're dumb And we never have a plan know we'll make it through and do the things you used to do and that's OK It's alright we can go all out and do just what we like So you know, sometimes we do exactly what we're told See you out Tonight
4.
5.
See them coming, see them go Hearts are bleeding down below Wheels keep turning, emptiness Memories are what seem best We were all out of touch She was trying to much I was rotten on the inside But hoping for love Tired of fighting Struck by lightning I wanted more What are you waiting for 549 Down on 2nd St Stuck in a moment All that we need We didn't mind it We couldn't find it but we believed Down on 2nd Street Sentimental, bitter sweet Always hurt the one I need Thought forever, didn't we Seems like more of just a dream We were all out of touch She was trying to much I was rotten on the inside But hoping for love Tired of fighting Your words igniting Showed me the door What are you waiting for 549 Down on 2nd St Stuck in a moment All that we need We didn't mind it We couldn't find it but we believed Down on 2nd Street
6.
I'm in the pilot's seat You're walking on the moon I hope to follow you there, maybe someday soon But for now, I'll wait around until my feet are back on the ground And you'll never know how far I'd go Seems like I'm always the last to know I am trying to understand I am the last person on Earth I never have to wait in line I wouldn't mind if I had to wait one time Because I'm alone forevermore Still it seems there is nothing I can do to break through to you We're in St. Augustine You're walking down the aisle But all your focus is on the other boy's smile Keep my eyes on the ground Find a way to choke it down I can do anything that I want But only because I am here alone Thank you for these voices inside my head
7.
8.
outside the world begins inside we can play pretend we can hide under blankets and let it go If you think that the world is mean close your eyes if you chose to dream anything can happen if you let it go anyone can stay inside anyone can just live a lie anyone who just wants to let it go I saw the 7 wonders I kept you safe and clean God rained down lightning bolts and I poured the gasoline to let it grow let it grow let it grow from a baby to the monster you now see your life ain't soda pop but you liked it when they called you queen bee Let it go now Love is a silly story Love is a carnival you took a single serving friend and you spread your legs instead I hope it don't hurt you when you get raked across the grates I hope it don't hurt you keep in mind keep in mind keep in mind its your fate let it go now I'll sail away as buildings and mountains crumble I'll float away I'll sail away Your sugar brings weapons darling be gone today I speak an honest word I hear your words are true put salt and pepper on it and wear mascara too You were a bird so lonley He was a fox come down from the heavens with very little warning I wish the best for you let it go now I'll sail away as buildings and mountains crumble I'll float away I'll sail away you lick upon poison darling be gone today No one should ever go without loving you want someone who will talk to you sometimes its about just letting go and no one should ever go without loving I'll sail away as buildings and mountains crumble I'll float away I'll sail away Your sugar brings weapons darling be gone today
9.
I'm not sure I understand just what you mean I'm not sure you comprehend the things I've seen When the time is right, I will plan my escape When I take flight, you will stand & wave Aim for heaven and you get earth thrown in Aim for earth and you're gonna lose both Looking into what's next just can't be done You think you're the best, the war is won The time is now, should I follow through Don't ask me how, I don't know if it's true Aim for heaven and you get earth thrown in Aim for earth and you're gonna lose both I'm just muddling through to a better world Just biding my time 'til I return To the spot where I stood once before You know the one Wonder if you know the end of the song Wonder where I'll go if I get it wrong But the time is right, so pick up & go It's time to take flight, that's the one thing I know Aim for heaven and you get earth thrown in Aim for heaven and you get earth thrown in Aim for heaven and you get earth thrown in Aim for earth and you're gonna lose both Aim for heaven

about

From A-Gan:
"All good music has dynamics and of course a good song should take you on a journey. This week's song should have a dynamic range of emotion, energy - whatever that means to you, whether it's a pop song w/ an open verse and a big heavy hitting chorus, or an intimate song... that lifts up in certain sections to break you out of the mood. And/or, there's another component. I've always loved songs about specific places or memories, ala Penny Lane or Strawberry fields. Something that evokes a really specific image.

For this week, you can choose a song w/ a lot of dynamics in the writing, a song using specific imagery - and even better if you incorporate both elements."

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released September 29, 2014

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Monday Morning 3AM Music Club Winston Salem, North Carolina

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